![](https://cdn.myportfolio.com/4f789b2248e5f861c4a723098f5f42c2/3bb8c6f8-1f41-4f0f-b779-30620e5af05b_rw_600.jpg?h=6db5f6acf29dea4aaf968d745a873070)
![](https://cdn.myportfolio.com/4f789b2248e5f861c4a723098f5f42c2/ad2ab7eb-0b98-4c36-b826-5daf53519a63_rw_600.jpg?h=b8dbb4f5cbc4ff7ee4639afbcc9dc303)
![](https://cdn.myportfolio.com/4f789b2248e5f861c4a723098f5f42c2/d51cc3a7-b72f-4d8c-8362-7f8e66f2fdd3_rw_600.jpg?h=4ac172ec6c50d795c27571233abf0b00)
![](https://cdn.myportfolio.com/4f789b2248e5f861c4a723098f5f42c2/34ea5f79-f9c4-4fac-8457-b8fb58e8f060_rw_600.jpg?h=6ef5ad383674bc57633e7c2c3bc8026a)
![](https://cdn.myportfolio.com/4f789b2248e5f861c4a723098f5f42c2/3ad7647e-6fb4-45b4-b195-ab50ef1371d5_rw_600.jpg?h=70315c2211910b1bd7be977cc30e6312)
This second series emerged by stealth. I found myself visually and emotionally attracted to the calm geometries of some ancient buildings - tombs, mosques, certain temples. Their quiet, the limited colour palette, the fact that these abstract structures had relevance after 1500 0r 500 years was important.